Monday, February 18, 2008

The Stockdale Paradox

Something Pastor Koo mentioned that was rather interesting in his sermon When Life Sucks:
"Retain faith that you will prevail in the end, regardless of the difficulties. At the same time, confront the brutal facts of your current reality, whatever they might be." - Jim Collins in Good to Great

The name refers to Admiral Jim Stockdale, who was the highest ranking United States military officer in the “Hanoi Hilton” prisoner-of-war camp during the height of the Vietnam War. Tortured over 20 times during his eight-year imprisonment from 1965 to 1973, Stockdale lived out the war without any prisoner's rights, no set release date, and no certainty as to whether he would even survive to see his family again. He shouldered the burden of command, doing everything he could to create conditions that would increase the number of prisoners who would survive unbroken, while fighting an internal war against his captors and their attempts to use the prisoners for propaganda. At one point, he beat himself with a stool and cut himself with a razor, deliberately disfiguring himself, so that he could not be put on videotape as an example of a “well-treated prisoner.” He exchanged secret intelligence information with his wife through their letters, knowing that discovery would mean more torture and perhaps death. He instituted rules that would help people to deal with torture (no one can resist torture indefinitely, so he created a step-wise system—after x minutes, you can say certain things—that gave the men milestones to survive toward). He instituted an elaborate internal communications system to reduce the sense of isolation that their captors tried to create, which used a five-by-five matrix of tap codes for alpha characters. (Tap-tap equals the letter a, tap-pause-tap-tap equals the letter b, tap-tap-pause-tap equals the letter f, and so forth, for 25 letters, c doubling for k.) At one point, during an imposed silence, the prisoners mopped and swept the central yard using the code, swish-swashing out “We love you” to Stockdale, on the third anniversary of his being shot down. After his release, Stockdale became the first three-star officer in the history of the navy to wear both aviator wings and the Congressional Medal of Honor.

You can understand, then, my anticipation at the prospect of spending part of an afternoon with Stockdale. One of my students had written his paper on Stockdale, who happened to be a senior research fellow studying the Stoic philosophers at the Hoover Institution right across the street from my office, and Stockdale invited the two of us for lunch. In preparation, I read In Love and War, the book Stockdale and his wife had written in alternating chapters, chronicling their experiences during those eight years.

As I moved through the book, I found myself getting depressed. It just seemed so bleak—the uncertainty of his fate, the brutality of his captors, and so forth. And then, it dawned on me: “Here I am sitting in my warm and comfortable office, looking out over the beautiful Stanford campus on a beautiful Saturday afternoon. I’m getting depressed reading this, and I know the end of the story! I know that he gets out, reunites with his family, becomes a national hero, and gets to spend the later years of his life studying philosophy on this same beautiful campus. If it feels depressing for me, how on earth did he deal with it when he was actually there and did not know the end of the story?”

“I never lost faith in the end of the story,” he said, when I asked him. “I never doubted not only that I would get out, but also that I would prevail in the end and turn the experience into the defining event of my life, which, in retrospect, I would not trade.”

* * *

I didn’t say anything for many minutes, and we continued the slow walk toward the faculty club, Stockdale limping and arc-swinging his stiff leg that had never fully recovered from repeated torture. Finally, after about a hundred meters of silence, I asked, “Who didn’t make it out?”

“Oh, that’s easy,” he said. “The optimists.”

“The optimists? I don’t understand,” I said, now completely confused, given what he’d said a hundred meters earlier.

“The optimists. Oh, they were the ones who said, ‘We’re going to be out by Christmas.’ And Christmas would come, and Christmas would go. Then they’d say,‘We’re going to be out by Easter.’ And Easter would come, and Easter would go. And then Thanksgiving, and then it would be Christmas again. And they died of a broken heart.”

Another long pause, and more walking. Then he turned to me and said, “This is a very important lesson. You must never confuse faith that you will prevail in the end—which you can never afford to lose—with the discipline to confront the most brutal facts of your current reality, whatever they might be.”

To this day, I carry a mental image of Stockdale admonishing the optimists: “We’re not getting out by Christmas; deal with it!”

Source: http://www.jimcollins.com/lib/goodToGreat/ch4_p83.html

Test item construction

I can't believe I put in so much work to try and get an A by doing P5 geometry. Why do I try so hard for? I don't even get a bonus for good results; the futility of it all.

Sunday, February 17, 2008

Sunshine


Flixster Plot: Fifty years from now, the sun is dying, and mankind is dying with it. Our last hope: a spaceship and a crew of eight men and women. They carry a device which will breathe new life into the star. But deep into their voyage, out of radio contact with Earth, their mission is starting to unravel. There is an accident, a fatal mistake, and a distress beacon from a spaceship that disappeared seven years earlier. Soon the crew is fighting not only for their lives, but their sanity.
My take: Angela, special effects aside, I still don't see what the fuss is about.

Budget 2008

Two main goodies from Minister Tharman:
1. 40% subsidy for part-time degrees at local universities:
This will save me about $10K. It'll help Jasmine and me out in our savings too.

2. $600 in Growth Dividends:
I think this is the amount I should be getting. Money's money!

Saturday, February 16, 2008

Gems reunion dinner

Well, it was a reunion of sorts, as we haven't had ALG meetings since last year because of the restructuring. I was so glad 16 people came; I had no idea so many would come. Thanks to all of you for making the supreme effort to come from all over the island. It wasn't the best laid plans as we gave up the steamboat idea to go to a kopitiam instead, but in the end it was OK. Thank God.

Here's looking to a blessed Year of the Rat for Agape and Gems!

A Whole New World recording

Urbanwire alumni

Met up with Mr. Yee, Keh, Haris and James at the Urbanwire launch party. It's now been five years since my time there. The emperor hasn't changed at all, but it all feels like another part of my life altogether. Miss Agnes, Karene, Jude, Sab and the lot. Those were the days. "In the forest..."

Friday, February 15, 2008

Readers' Theatre

It's finally over. I think we did well despite some last-minute changes to the timing in the morning. Our combined cab fares came to $50! The performance went ok, but I wasn't so sure about the assessment. There's a vast difference between stuff that'll work in theory and what happens in reality. I haven't quite grasped it yet.
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4 Feb 2008, 2159hrs
My groupmates selected my script as the one to be performed, despite being half-completed. I hope to repay their faith in me. That means sending it out by tonight. The good news is I do feel a little energised, so I might be able to pull this off.
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3 Feb 2008, 1959hrs
Managed to get the skeleton out, thanks to Jasmine. Now it's some intra-solar system getting-to-know-you party, seeing the planets' orbits have not intersected for 4.6 billion years. So the Sun invites all of them for a house-warming (geddit?) party. Interesting conversations entail.
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2 Feb 2008, 1059hrs
Learnt some new befangled EL integration strategy where students perform by reading from a script that's been dramatised from a fiction or (less commonly) non-fiction text. Our assignment requires to write one such script and perform it at Juying Primary. It's supposed to be 15 minutes long. I'm just thinking of the sheer number of words I need to fit in. And it's due Monday. =[

Richard Clayderman's Ballade pour Adeline


Old skool man.

Thursday, February 14, 2008

Ambigrams



These refer to words that look the same whether you look at them upside-down or right-side-up. An alternative to this is one word that looks different when you look at it either way. This is one that reads as Chinwei and Yuenhar at the same time!

You can find more at http://ambigram.matic.com/ambigram.htm

Wednesday, February 13, 2008

Legalese

Aiping was asking me to interpret a section of the Companies Act of Singapore. It didn't seem like English at all, and I concluded that even lawyers need English teachers. A sentence of over 60 words ran on without a single comma, semi-colon, colon, hyphen or whatever - it just ran on and on, conditional clauses and other sentence fragments notwithstanding. Here it is in all its glory - you make sense of it:
"Accounting records and systems of control"
4) If accounting and other records are kept by the company at a place outside Singapore there shall be sent to and kept at a place in Singapore and be at all times open to inspection by the directors such statements and returns with respect to the business dealt with in the records so kept as will enable to be prepared true and fair profit and loss accounts and balance-sheets and any documents required to be attached thereto.

Sunday, February 10, 2008

New Police Story


Flixster Plot: Inspector Wing of the Hong Kong Police Force has become the victim of a gang, led by the evil Joe. When his entire team is killed, Wing becomes a hapless drunk, feeling guilty for the deaths of his team. A young man with a troubled past pretends to be a police officer working on the case with Wing, to get him back on his feet and begin an adventure to get revenge on the evil Joe and his Gang of Five, especially when it becomes personal.

The Source of Love


A radical reevaluation of spiritual beliefs is on the cards for island resident Chen Hon-ming (Chung King-fai) in Christian movie The Source of Love. Viewers meet the aging school teacher as he reaches the end of his career, threatened with redundancy yet working hard to support his ex-junkie daughter Kar-yi's schooling abroad. At home Chen's wife keeps pulling away his wine bottle, he's out of touch with his stuttering preacher son Ah Kit and his senile father has been packed off to an old folks' home.
Chen's simmering troubles start to reach boiling point after Kar-yi sneaks back to Hong Kong pregnant and single. When the young woman makes her return known with an arrest for assault, dramas come to a head and it's not long before religious messages put forward by Ah Kit gain increasing strength.
The Source of Love presents a belief-reaffirming rather than evangelist message in a straightforward and pleasing production. Shot on 35 mm, Stephen Shin's movie is a low-key affair largely focused on faith and a family unit, and the Christian theme dwells on difficulty in persuading people to reject traditional customs for new beleifs. Chen in particular is suspicious of a foreign god, and others point out the apparent uselessness of practices like worshipping ancestors. Study of writing is used repeatedly to show Christianity's relevance in a Chinese setting, showing again and again how the character for "lamb" connects to characters for "eternal" and "righteous". A paper cutout technique to produce a cross and key Chinese and English words also appears more than once.
Noteworthy asides appear in spirited comment on contemporary issues, like Hong Kong's falling English standards and rising unemployment, to keep the production current and some successful light comedy dots the script. An uninteresting side story with local gangsters also runs concurrent to the main narrative. Location work is anchored on peaceful Cheung Chau island settings, while brief diversions into the city include interesting environs like Sai Ying Pun. The score by Chan Wing-wah ranges from acoustic guitar to overly dramatic arrangements, at one point drowning out a prayer. Chung King-fai and Tomi Wong turn in classy performances as parent figures while Peter Yeung Kwan adds subtle humour to his grandfather role. Elsewhere Taiwanese singer Samuel Tai is fine as an evangelising youth, cheery Scott Smyth shows more command of Cantonese than acting and Gabriel Harrison appears briefly as an unpleasant ex-boyfriend who exits with a brick to the head. The movie is dedicated to the late Roy Chiao, who commenced work on the production before his death in 1999.
Source: http://kowloonside.com/movies/thesourceoflove.html

The Longest Yard


Flixster Plot: Pro quarterback Paul Crewe and former college champion and coach, Nate Scarboro are both doing time in the same prison. Asked to put together a team of inmates to take on the guards, Crewe enlists the help of Scarboro to coach the inmates to victory in a football game "fixed" to turn out quite the other way.
My take: Oh this could've been funnier, if Astro hadn't bleeped out every other word. Can't you say 'shit' anymore?

Chinese New Year

An uneventful affair this year, with low takings in ang pow and even lower in entertainment. Eat, sleep, watch TV, read a book, type out an assignment, scold a cousin/nephew/niece, swat mosquitoes/flies etc. The only interesting things were learning poker and driving my cousins' cars.

Why Me, Sweetie?


The Skinny: Uneven romantic comedy which is as magnificently manufactured as they come. The film ends much better than it begins, but that isn't necessarily a saving grace. Louis Koo and Cherrie Ying fans will probably be happy, though.
Review by Kozo: Though he started in the horror and triad genres, Louis Koo has since become Hong Kong Cinema's romantic comedy golden boy. The Man with the Tan has played romantic foils to such screen queens as Gigi Leung, Sammi Cheng, Cecilia Cheung and Miriam Yeung, and the result has been generally profitable if not overtly good motion pictures. Koo has thankfully shown good comedic presence, and has never been afraid to poke fun at his own ladykiller image. Why Me, Sweetie?! plays to those strengths, and Koo performs gamely. However, that doesn't necessarily mean the film is good.
Koo is Don, a studly baker who runs a small but popular bakery in Beijing. An avowed player, he nevertheless is smitten by Ding Ding (Cherrie Ying), an American Born Chinese who charms him with her energetic, offbeat ways. Despite knowing that Don is a player, Ding Ding allows herself to be roped in, and things actually seem to head somewhere for the two. Then the plot device hits. When Don seems to have totally fallen in love with Ding Ding, he suddenly turns red and collapses. When Ding Ding sees him next, he's back to being a total player, and professes not to know her. And, given Koo's smarmy performance, it's hard not to believe him.
But Ding Ding learns the truth thanks to the intervention of Dr. Chie (Tats Lau), Don's longtime pal. Chie tells Ding Ding that Don has a selective memory disorder, which he gained due to the tragic death of a former lover, who ironically looked exactly like Ding Ding. Chie believes that Ding Ding can somehow help cure Don, and even if he isn't cured, the two can continue their relationship anyway. They use a notebook of Ding Ding facts, temporary tattoos, and many pictures to constantly remind Don of who he's supposed to love. And it seems to work, for a while at least. But can the two actually make a long-term relationship work when one is a part-time amnesiac?
The concept for this romantic comedy is utterly manufactured, but that's no real surprise. Given the fact that most Hong Kong—and even American—romantic comedies feature a paper-thin premise, one should be able to forgive Why Me, Sweetie?! for its narrative silliness. Sure, all of the couple's problems could easily be solved if Don visited a real brain specialist (Chie is actually a dentist), but if that happened the film wouldn't be able to employ its nifty Groundhog Day/Memento devices. Since Koo is dashingly handsome and Ying is refreshingly adorable, it should be a pleasure to watch the two fall in love again. And again. And yet again. It's like five movies packed into one.
However, instead of five movies packed into one, Why Me, Sweetie?! feels like one movie stretched on for eternity. Director Jingle Ma makes his actors look good, but his pacing and construction leave a lot to be desired. The film starts with lots of needless fast motion, overdone histrionics, and sometimes grating comedy. Then the film does a complete flip-flop and gets overly dramatic and saccharine for a protracted second half. It's like Ma felt obligated to give us both comedy and drama, but didn't know how to intertwine the two. His inability to handle the material makes the manufactured pathos seem magnified and doubly obvious. The result: an uneven and annoying film that manages to affect, but only because they lay it on so thick at the end. Romantic comedies are preferable if the audience isn't pummelled into buying it.
Still, the actors are certainly attractive and even charming. Koo and Ying both overact like idiots during the silly scenes, but they handle the dramatic sequences decently. Koo is convincingly lovelorn and teary, a combination that probably sends his swooning female fanbase into throes of ecstasy. And Ying possesses a photogenic charm and energy that's very winning. She could have the makings of a real star, though she should sometimes take it down a notch. Like most ingenues, she doesn't really know how to regulate her performances, and spends too much time mugging and pouting. Hopefully she'll find a way to tone it down in the future.
Then again, this could all be Jingle Ma's fault. In the past, Ma has taken good resources and made workable entertainment, but his actual ability to craft a film has never been established. His direction of a script seems arbitrary and without any discernible purpose, and he's never shown the ability to direct actors. This can be seen in the uneven performances of the leads, and in the no-name supporting characters, who are utterly faceless and uninteresting. Ma is lucky to have Louis Koo, Cherrie Ying and Tats Lau (in an amusingly droll performance) to bring some life to his manufactured script, which possesses the depth of your average kiddie pool. Ultimately, Why Me, Sweetie?! has far too many cloying and unnecessary moments to make it a truly compelling motion picture. But it also has a lot of Louis Koo and Cherrie Ying, which could be enough for some people. (Kozo 2003)
Source: http://www.lovehkfilm.com/reviews/why_me_sweetie.htm
My take: Cliched, but all in all not too bad. Quite enjoyable.

Dr. Seuss' The Cat in the Hat


Flixster Plot: Today is a special day for Conrad and Sally Walden--even though they don't think it is. It seems that Sally and Conrad, different as black and white, have pushed their single mom, Joan Walden, to the limit. Conrad's endless rule breaking has his mom seriously considering military school for her son--an idea planted by her just-this-side-of-smarmy neighbor and suitor, Lawrence Quinn. Sally, tightly wound though well-behaved, has bossed away every friend she has, and divides her time between upbraiding her brother and putting new 'To Do' lists in her junior palm pilot. And all the while their mom is just trying to keep domestic peace while balancing a successful career as a real estate agent for her germophobe boss, Mr. Humberfloob. However, on the Saturday that she is to host her company's party, Joan's preparations have fallen prey to Conrad's shenanigans. Thus, she lays down a mom-sized decree: Sally and Conrad are not to leave the house while she is at work; furthermore, they are forbidden from making a mess or misbehaving in any way. The kids are left with little to do besides sit and stare out of the window, while their babysitter, Mrs. Kwan, dozes in the den. Until their unexpected guest--a six-foot-tall talking feline, sporting a red-and-white-striped stovepipe hat--appears. The original party animal himself arrives to turn their world upside down by showing Sally and Conrad that "it's good to have fun--but you have to know how!"
My take: Lame shit. Watchable for Dakota Fanning alone.

Wednesday, February 06, 2008

Brain teaser

What do these words have in common?
Banana
Dresser
Grammar
Potato
Revive
Uneven
Assess

Answer: No, it is not that they all have at least 2 double letters.
In all of the words listed, if you take the first letter, place it at the
end of the word, and then spell the word backwards, it will be the same word.

De Coder's Cafe

Board game haters beware! There's a new board game cafe in Newton called De Coder's Cafe. They have an interesting pricing system so it might be worth checking out once. Check it out: http://www.decoderscafe.com/index.htm

Tuesday, February 05, 2008

Christian lo hei

Red envelope which contains pepper
“Praise the Lord, for peppering us with your loving kindness.”

Green envelope which contains five-spice powder
“Praise the Lord, for accepting our labor as a fragrant offering to His plan.”

Fish
“Praise the Lord, for the grace of God to be fishers of men.”

Oil
“Praise the Lord, for the oil that keeps us burning in this fight of faith.”
“Praise the Lord, for anointing us with the oil of joy.” (Psa 45:7)

Plum Sauce
“Praise the Lord, for the sweetness of your Words sweeter than honey to my mouth.” (Psa 119:103)

Crackers
“Praise the Lord, for the street of pure gold that you have prepared for us to live in eternity.” (Rev 21:21)